Designed by Villainy and Associates | Country: United States
“We printed letterpress metallic gold for the information and letterpress varnish on the logotype. We like using a varnish on dark stocks for a tone on tone effect. That gives a slightly better legibility than a totally blind, inkless impression. The stock is a thick 200lb Wausau Eclipse Black with metallic gold edge coloring.”
Designed by Hatch | Country: United States
Designed by Pablo Alfieri | Country: Argentina
- 2 papers. 350gsm black paper and 350gsm matte illustration white paper.
- 1 letterpress.
- 9 foil stampings. Matte and brilliant gold, matte and brilliant silver, iridescent silver, black, red, violet, and blue
Designed by Eric Kass | Country: United States
“Letterpress and silk-screened stationery with logo patch in a tiny business card sized envelope for photographer Ed McCulloch.”
Designed by Nick Brue | Country: United States
A great example of letterpress for these clean and simple wedding invitations.
Designed by Erik Anthony Hamline | Country: United States
“Identity for Seaward Bread Bakery. Concepted while at Studio On Fire, self initiated completion.”
Designed by Oliver Munday | Country: United States
Great concept and execution for this home improvement & custom carpentry company.
Designed by Eight Hour Day | Country: United States
“We created this identity with the understanding that we would be traveling for a year. Because of this, we kept amounts small and only printed what we felt we needed and what we felt would work best for this “alternative” working style. Instead of a standard letterhead, we opted for a postcard and notecard. We felt this was more mobile and highlighted the idea that we were on the road. We also use a stamp to pinpoint our location on a map on the mailing label.”
Designed by V Communications | Country: Canada
“The inspiration comes from an old identification card we’ve seen on the web. Actually it is Lee Harvey Oswald’s Forged Selective Service Card. We don’t know how and when we bumped on it, but we all liked the old feeling it brought and how the information was displayed. We improvised a shooting session in which we had vintage clothes from different eras. We decided to do a two colors letterpress print on cardboard and we all loved the result. The final touch on the cards comes from an old die cast iron stamp we bought and personalized to our needs.
Its important to mention on which side of the chipboard you want your card printed or you might have have a big curve in them.”
Designed by The Office of Nature | Country: Canada
“Have you ever gotten to design WALLPAPER!?!? When my client asked me to convert a tissue paper pattern I designed for her boutique in Edmonton into a full blown wallpaper design, it almost made me wish I lived in those near arctic conditions. Instead, I made a whole set of stationary based on the pattern motif and had it all letterpressed at the Mandate Press in Salt Lake City. Win-win.”« Prev — Next »