Designed by Impero | Country: United Kingdom
“After 4 years in London and finally landing our very own lovely office space in East London, Impero felt it was time to go through a modest refresh. We had a brand new set of stationery made over the year, including some heavy pillow embossed duplex business cards, custom weekly planners, comp cards, notebooks, pencils and even had our logo handcrafted in our brand typeface!”
Designed by Corktown Seed Co. | Country: Canada
“Corktown Seed Company is an integrated communications company located in Toronto, Canada. The agency is focused on values-driven clients and wanted the identity to reflect traditional values with timeless aesthetic.
To reflect craft and tradition, duplexed business cards were printed letterpress with areas for individuals to add their contact details. T-shirts were produced in-house, on-premise. Additionally, stamps were used to brand collateral materials and stationery.”
Designed by Condensed | Country: Australia
“Identity, collateral and garment items for Ledin Gray. Ledin gray looks to develop the existing culture of Melbourne fashion by providing unique garments which, are not only inspired by Melbourne but, made in Melbourne. Taking garment details to a whole new level it was only fitting we brought this ethos across to the collateral, incorporating a refined approach to the typography and enhanced with production techniques.”
Designed by BML Creative | Country: United Kingdom
“The BML identity had remained largely unchanged since 2007. At this point the agency was still based in Cheltenham, where it had been based since it began in 2001. A lot has changed since those early days and we’re not just talking about moving 180 miles from Cheltenham to our new home in Leeds. Although we still work with many of the same great clients we began with all those years ago (as well as a lot of exceptional new ones), the types of project they require and the way we tackle them has changed beyond recognition. Most importantly, we felt that the agency had undergone a maturing process over the years and it was about time our own image reflected the values, style and personality that make our agency what it is today.”
Designed by Fifty3 | Country: United Kingdom
“We are Fifty3, an ambitious two person studio focused on creating beautiful brand experiences. We are relentless in our pursuit of quality craftsmanship in all that we do, and what better starting point than our own image. We’re environmentally conscious and have shown our credentials in our stationery. We took 100% reclaimed board, duplexed a lighter version against a darker board and foiled both sides in a matt bronze to create a sophisticated but slightly seductive look… Finished off with complimentary additional stationery.”
Designed by Chris Trivizas | Country: Greece
“Andriotis G.P. is a family business that specializes in the trade and processing of olive oil, for the last 55 years. The logo was designed in order reflect the classic and timeless values of the brand name, while at the same time updating the communication image.
The symbol of the logo presents an olive with its pit, and the typography chosen, with serifs and capital letters, expresses the validity and reliability that characterize the Andriotis business.”
Designed by Good Fortune Collective | Country: Canada
“Public affairs consultant Chuck Pautler has an uncanny way of making business problems “go away”. To capture his unique brand of public affairs consultation, we introduced the first hit-man for business problems, along with some pretty memorable letterpress/foil stamp duplexed calling cards.”
Designed by Josh Nychuk | Country: Canada
“A personal stationery package developed for self promotional purposes. The identity communicates personal values, and my services in graphic design and photography through various techniques and production methods.
The business card makes use of a production method in which a middle layer containing my contact information is laser cut out and sandwiched between two outer sheets of paper. Facing downward you can only see the printed idiom “more than meets the eye” implying a hidden message or beyond what is initially perceived. When held up to a light source (daylight works fine) the contact information is revealed. A testament to minimalism, and a curiosity for what lies beneath the surface.
The symbol of the eye, is created through a reprographic technique called halftone. As the scale or depth-of-field changes the eye comes in and out of focus. It is accompanied by the Gestalt idiom “see the forest for the trees”. The concept of Gestalt—a collection of symbolic entities that create a unified being or whole—seemed appropriate way communicate my specialization as a designer of visual identities in an enigmatic way.
The identity does no make use of a formalistic logo, and instead is largely recognized through typography and technique.”
Designed by Tall Ltd | Country: United Kingdom
“Being a digital marketing business, it is rare we have something tangible in our portfolio to take with us to new client meeting, so we want our business card to really make a statement. Just about every meeting gets a great reaction and normally ends with the comment “I bet they cost a bit”
Designed by Ponderosa | Country: United Kingdom
“Websters Interior Designers underwent a rebrand and now feature an elegant and refined logo carried across business cards and stationery. Business cards feature the logo printed on the front in 3 spot colours, clear foil and deboss on 350gsm Colorplan Gravure Emboss. The reverse is printed 1 spot colour and on 350gsm uncoated board. The duplex business card also has bronze gilding to the edges.”Next »