Personal Branding

“A dignified brand identity with high quality materials and finishes, designed for an international businessman.”

Leesa O’Reilly

“Leesa O’Reilly, a stylist, recently expanded her business beyond photographic styling to include product sourcing and location scouting. Additionally, she has also launched a prop hire arm to her business of which all her unique products acquired over the years can be sourced.

Her brandmark is based on the idea that she is constantly sourcing objects from different places. We chose to produce four different business cards to show the diversity of her work and business.”

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Bureau Rabensteiner

“Stationery and identity concept for the Innsbruck based Bureau Rabensteiner. We tried to keep it simple and sleek. For a little touch of ‘old school’ we use these traditional wood handle rubber stamps.”

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Aava

“A growing IT company Aava needed an identity and basic sales tools that stand out. Minimalistic branding that stylishly uses the letters of the logo differentiates Aava from its competitors.”

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September

“The unusual combination of a ground floor hairdressers and first floor seafood restaurant.”

Food is Good

“A refreshed identity for a restaurant wanting their menus, drink stirs and dining experience to reflect the thoughtful food being served.”

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Stanton Williams

“Stanton Williams are an established, international architectural practice. Their core philosophy is ‘to inspire users through their experience of space, light and materials’. The practice has evolved over a 25 year period and we were commissioned to redesign their identity to reflect their current position and ethos.

With every project we take time to engage with our clients and gain an understanding of their working methods and underlying principles. After numerous conversations with the directors and partners we gained an invaluable insight into the practice.

Key concepts became apparent – ‘pushing and pulling volume’, ‘the beauty of raw, natural materials’ and a ‘rigorous attention to detail’. It was clear that a new, bold, confident language was emerging in Stanton William’s recent work and their desire was for the identity to reflect this shift.

Our solution was to create an elegant, structural logotype that hints at simple, constructed interlocking forms. The position of the common letter ‘A’ in both names dictates the alignment. Across the stationery this logotype is either pushed-into or removed-from carefully chosen, tactile materials such as 100% cotton paper and raw board, while rigorous typographic templates unify the extensive range of architectural documentation.”

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